Twenty-seven perspectives

by Maud Le Pladec

Premiere 2018

at the Festival Montpellier Danse

and Théâtre de l’Agora

60 min
10 performers

© Konstantin Lipatov

In tackling Schubert’s Unfinished Symphony, Maud Le Pladec aimed at rendering the invisible visible, reconstructing the score and orchestrating musical variations in an essay at finishing this masterpiece. With this target in mind, she has not hesitated to reinvent her own choreographic expression, entrusting ten dancers from intentionally divergent backgrounds with the pleasure of embodying her pared-down movement. A choreographic symphony of remarkable construction, allowing the music to be heard and the dance to be seen differently.

Concept and Choreography: Maud Le Pladec
Lighting and Set Design: Éric Soyer
Sound Design: Pete Harden, based on Franz Schubert’s Unfinished Symphony No.8 D759
Costume Design: Alexandra Bertaut
Assistant: Julien Gallée-Ferré
Performed by: Régis Badel, Amanda Barrio Charmelo, Olga Dukhovnaya, Jacquelyn Elder, Simon Feltz, Maria Ferreira Silva, Aki Iwamoto, Daan Jaartsveld, Louis Nam Le Van Ho, Noé Pellencin
En alternance avec Matthieu Chayrigues, Audrey Merilus, Jeanne Stuart et Alexandra Fribault
General Manager: Fabrice Le Fur
Lighting: Nicolas Marc
Sound: Vincent Le Meur


Production: Centre chorégraphique national d’Orléans # Co-production: Chaillot - Théâtre national de la danse, Festival Montpellier Danse 2018, Festival NEXT / Schouwburg Kortrijk & le Phénix scène nationale Valenciennes pôle européen de création, La Briqueterie – CDCN du Val de Marne, MC2: Grenoble # Residency: Théâtre d’Orléans in collaboration with the Scène nationale # Co-realization: Chaillot - Théâtre national de la Danse / La Briqueterie – CDCN du Val de Marne


© Julie Pareau